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How to Email Interested Literary Agents

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Email Templates to Help You Reply to Literary Agents’ Offers of Representation

You’ve queried literary agents for months. Years, maybe. Finally, after enough rejection to drown a damn whale, the email arrives. The Zoom chat happens. A literary agent wants to represent your book. First off, CONGRATULATIONS. This is a huge milestone on anyone’s publishing journey. But before you pop the champagne (or as soon as you’re up the next morning), it’s worth wrapping up the querying process right.

Typically, when an agent offers you representation, they give you a period of time to consider. Two weeks is standard, but when I went through this, I found agents to be patient and flexible. I ended up taking about three weeks to decide.

I agonize over emails. It’s not healthy. Like most of my vices, I do it anyway. If you’re sitting there, also agonizing, I hope these templates help!

Letting Other Literary Agents Know About Your Offer

When I received my first offer of representation, I was between querying two different manuscripts: Book-1 and Book-2. In my heart, Book-1 was dead. I’d queried all the literary agents I’d be happy to work with, eliciting several requests for a full manuscript. But almost everyone had ultimately declined, and the only agent with a full manuscript still out hadn’t messaged for nearly a year. Surely, I reasoned, that meant a pass from her too. I was hopeful, though, because I’d just begun querying for Book-2, which had already attracted some interest.

But that first offer of rep? It was for Book-1.

There wasn’t a lot of guidance for my exact situation, so I did my best. Within 36 hours, I submitted a big round of fresh queries for Book-2, targeting literary agents at the top of my list. The very next day, I notified everyone that I’d received an offer of representation . . . albeit on my first book (Book-1). Almost all my queries were via Query Manager, so I used the platform’s tool for alerting agents of an offer of rep.


EMAIL FOR BOOK-1 AGENTS


EMAIL FOR BOOK-2 AGENTS


EMAIL FOR BOOK-2 AGENTS (WHO HAD DECLINED BOOK-1)

And if you’re in the unusual position of wondering “should I even bother alerting literary agents who already passed on one of my books,” hang on for the plot twist at the end.

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Contacting Agents’ Current Client(s) for Their Insights

It’s completely normal to ask offering literary agents if you can touch base with their current clients. It’s like asking for a “letter of recommendation.” I knew this. I was nervous asking anyway. But I’m so glad I did, because those emails were crucial to helping me make my decision. My advice? Suck it up and ask for a reference.

In total, I had four offers of representation, and I emailed seven clients. (Fun side note: I was juggling this whole process while flying internationally to visit family.)

I discovered that these emails could be much simpler than I thought. Less is more! Most clients were eager to talk about their agent, and they all understood my position since (duh) they’d been there themselves. Whenever possible, if I was familiar with their writing or social media presence, I mentioned it. Personalizing everything is almost impossible, but if I could sincerely express some appreciation for their work, I did.

When thanking clients for their insights, I also did my best to respond to personalize. I was so grateful that it wasn’t difficult. But excluding personal details, I’ve also included a few “thank you” templates below.


EMAIL FOR AN AGENT’S CLIENT(S)


EMAILS THANKING CLIENTS FOR INSIGHTS



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Declining and Accepting Offers of Representation

After an intense two to three weeks, the time will come to make a choice. Who is your champion? Which person do you want to build your career with? Who can you see yourself trusting when things go well and, importantly, when things don’t go well?

Making this decision was difficult for me. But it was difficult for a great reason. All the literary agents who offered to represent me had at least one accomplished client to their name. They were kind, patient, and supportive, all the markers of real professionalism. They cared about my vision for my books, and they were interested in my long-term career, not just selling the one (or two) manuscripts I’d submitted.

But when I was ready to make that call, I had to (you guessed it) send more emails.

These emails to literary agents were some of the toughest I’ve ever had to write. These were people I respected as professionals and readers who had loved my stories enough to want to fight for them. I did my best to express my gratitude in these final messages.


EMAILS TO DECLINE OFFERS OF REPRESENTATION




EMAIL TO ACCEPT AN OFFER OF REPRESENTATION

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Other Sources & Tips on How to Handle Offers of Rep

Jessica Faust’s article for BookEnds Literary, Step-by-Step: Handling an Offer of Representation, is a great place to start.

Jane Friedman’s article How to Choose an Agent Amid Competing Offers is also great when preparing to deal with offers from multiple literary agents.

TIPS FROM YOURS TRULY

Check your spam box. CHECK. IT. During this process, I missed two incredibly important emails. Ugh, even now, it hurts to admit. The way my stomach dropped . . . do not risk the guilt and panic. Don’t trust your inbox to sort these emails for you. At least once a day, open your spam and trash folders. Check Query Manager itself. It’ll be worth the peace of mind.

Prepare before the first offer comes. Keep a copy of your manuscript(s) ready to send; it’s okay if it’s not the most up-to-date draft. Start collecting questions you’ll want to ask offering agents. Have your submission materials ready to copy/paste. Join the Authors Guild if you’re able! They’ll offer a legal review of agent contract(s). Start joining groups of writers, big online ones that can offer insight into your potential agent(s); just searching those groups’ histories can reveal a lot (my list of Resources mentions several groups). Start an action checklist to confirm your offering agent is trustworthy, e.g., “Check their status on Publishers Marketplace” and “Check if they appear on Writers Beware.”

Track your data. Get comfortable on Query Manager, but also (and this is my personal hot take) track your own submission details. Track those details with love and efficiency. Use an Excel chart. Record sentences from rejection emails that are personalized. Save details that agents share about themselves via their public profiles that might help you identify good fits. When that offer arrives, you’ll want this data. Moreover, you may want this data years later, long after you’ve dropped off Query Manager.

The Promised Plot Twist

Among the four amazing agents who offered to represent me, one was Ginger Clark. But when I sent that notification email to her, reporting that I’d received an offer of representation, I didn’t have much hope of hearing back. Ginger’s resume punched hard. An agent for over two decades, she’d worked at Tor, Writers House, and Curtis Brown, and she’d held major positions at the American Association of Literary Agents. More than that, though . . . she’d declined on my Book-1 query.

When she emailed back anyway, eager for more on Book-2 and even open to reconsidering Book-1, I was over the moon. This blog is, sort of accidentally, also my “how I got my agent” story!

If you’d like to follow my publishing journey, subscribe to The Author-Oddity Newsletter. It’s a fun twice-monthly email where I share updates and whatever spooky content matches the theme for the month. My blogs also share glimpses of its content: HOUSES was one of my favorite themes so far!

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